The precarios were born with the imagination that I would be an architect. Maria Joranko: Like Columbus! How do these connections bridge themselves and are there connections that you feel extend to here through there?Ĭecilia Vicuña: When I finished high school, I entered architecture school. But when you come to a very different place….
Richard Fletcher: So if we move from Athens to Columbus, as you said, there's no disconnect between your experience at Delphi and the presentation of your work in a museum. His book No Philosopher King: An Everyday Guide to Art and Life under Trump was published this year by AC Books and he is currently writing about the legacies of the 2017 exhibition documenta 14, at which Cecilia Vicuña was a participating artist.Īs we were having this conversation with Cecilia Vicuña across distances and with the aim of creating a continuing dialogue, we broke the ice by explaining how we came to her work, starting with her work at documenta 14 in Athens, which was informed by a visionary moment at Delphi. He writes about contemporary art and education under the pen name Minus Plato.
You can find her creating immersive installations or gardening.įletcher is an associate professor in the Department of Arts Administration, Education and Policy at The Ohio State University. She is also a grassroots activist fighting for racial and LGBTQIA+ equity.
Joranko is an artist who works by day in the Wexner Center's Education Department.
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